Calle Ruiz de Alarcón 23. Her back is turned to the viewer, but she is recognizable by her abundantly curly black hair. Drawings. 116-117, n.15. 260-261; 370-371, n. 64. En: Museo del Prado. 167, n. 182. 217, n. 699. Fra Angelico to Fortuny Calvert, Albert F., Goya, John Lane, Londres; Nueva York:, 1908, pp. "That is certainly more of a pleasure than painting on canvas! Drawings. Tormo y Monzó, Elías, ''Las pinturas de Goya y su clasificación y distribución cronológicas (con motivo de la exposición de sus obras en Madrid)''. Luis Berganza, son of Tomás Berganza, the Duchess of Alba's administrator and one of the inheritors in her will, became the new owner of this canvas and its companion piece, "The Sanctimonious" with Luis de Berganza and María de la Luz. 30.7 x 25.4 cm, Oil on canvas, Museo del Prado, Madrid Museo Nacional del Prado, Museo del Prado: catálogo de las pinturas, Ministerio de Educación y Cultura, Madrid, 1996, pp. [2] It is signed "Goya in 1795" in the lower right corner. Londres Language Label Description Also known as; English: The Duchess of Alba and la Beata. Beruete y Moret, Aureliano de, Goya. Madrid. 159, n. 92. ): Goya. Drawings. The exhibition in the Prado Museum, Commented works: Sueño 21 and other drawings by Francisco de Goya, Goya's technique in the "Charles III in Hunting Dress", The exhibition Spanish Drawings from the Hamburger Kunsthalle: Cano, Murillo and Goya, The Holy Family with the Infant Saint John the Baptist. De Fra Angelico a Fortuny, Museo Nacional del Prado, Madrid:, 2013, pp. Her back is turned to the viewer, but she is recognizable by her abundantly curly black hair. Images of Women, National Gallery of Art, Washington:, 2002, pp. Retratos 1792-1804, Real Academia de Bellas Artes de San Fernando, Madrid:, 1992, pp. 1 reference. A Project by Miguel Ángel Blanco: Satanic Invocation, Goya. La década de los Caprichos. 46-47. Francisco Goya - The Duchess of Alba and 'La Beata'. 35, n. 102. 216, n. 180. "Only my Strength of Will Remains", Dreams. Tokio 240. Gassier, Pierre, Vie et oeuvre de Francisco de Goya: l`oeuvre complet illustré: peintures, dessins, gravures, Office du Livre, Fribourg, 1970, pp. y Bienes Culturales; Instituto del Patrimonio Histórico Español, Madrid:, 2002, pp. ): Goya, Electa, Zaragoza:, 1992, pp. 06.10.1994 - 08.01.1995, Goya. 16.03.2012 - 24.06.2012, Goya: luces y sombras. Análisis artístico. AA. 212, n. 102. 230. La duquesa de Alba y su dueña o La Duquesa de Alba y "la Beata". The Duchess arranging her hair. 22.10.2011 - 29.01.2012, Goya. 55. The Duchess of Alba and La Beata, 1795 by Franciso de Goya Lucientes Greeting Card is a great way to say "thank you" or to acknowledge any occasion. Gobierno de Aragón: Fundación Bancaria Ibercaja, The restoration of Hunter loading his Rifle (1775), by Francisco de Goya, Commented works: Daedalus watching his son Icarus fall" by Francisco de Goya, Commented works: The Witches’ Flight, Francisco de Goya y Lucientes, (1797-1798), by Manuel Borja-Villel, "Caprichos". Últimas adquisiciones: 1982-1995, Museo del Prado, Madrid, 1995, pp. Goya portrayed María Cayetana de Silva a number of other times, notably The White Duchess of the same year and the 1797 Portrait of the Duchess of Alba. "Only my Strength of Will Remains", Presentation of the Department of Prints and Drawings. 10.03.2002 - 02.06.2002, Goya Treasures from The Prado Museum Luces y sombras, Museo Nacional del Prado, Madrid:, 2012, pp. "Only my Strength of Will Remains", Madrid Sketchbook. Glendinning, Nigel, Goyas' Patrons, Apollo, CXIV/, 1981, pp. ): Goya. Catálogo ilustrado y estudio de la exposición en el Ministerio de Instrucción Pública y Bellas Artes, II, Dirección Gral. The Duchess of Alba and la Beata is considered to form part of Goya's "caprichos", and was painted shortly after he fell deaf. instance of. painting by Francisco de Goya. Medium: oil on canvas. Sketchbooks and artistic learning in the XVIII Century, Sketchbook C. Goya. AA. Drawings. Tel +34 91 330 2800. Camón Aznar, José, Francisco de Goya, II, Caja de Ahorros de Zaragoza, Aragón y Rioja, Zaragoza:, 1981, pp. 05.10.1987 - 05.01.1988. 13.12.2017 - 04.03.2018, Captive Beauty.
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