Pieter Claesz (c. 1597–1 January 1660) was a Dutch Golden Age painter of still lifes. Other works by Pieter Claesz. The smoke is an especially poignant symbol of ephemerality. Pieter Claesz, Still Life with Violin and Glass Ball, 1628. The artist moved to Harlem in the year 1620 and developed his artistic skills during this period. The use of clear oil paints makes his works unique. He moved to Haarlem in 1620, where his son, the landscape painter Nicolaes Pieterszoon Berchem was … Along with an overturned chalice, there is a timepiece, a writer’s quill, and a music manuscript. Learn more about this artwork. The Metropolitan Museum of Art New York City, United States. Details. Jahrhundert entfaltete sich in Europa, insbesondere in den Niederlanden, eine düstere Gattung der Stilllebenmalerei. Still Life with a Skull and a Writing Quill Pieter Claesz 1628. Image via Wikimedia Commons. Pieter Claesz (Berchem 1596/97 – Haarlem 1660) was one of the most important still life artists of the seventeenth century. Some paintings feature skulls, watch, glass and violin. Skulls, snuffed candles, and burnt-out lamps were some of the most obvious symbols of mortality. Advertisement. We can clearly say that he is the master of 17th century still life paintings. By 1640, Pieter Claesz started to use vibrant colors in his paintings. He was born in Berchem, Belgium, near Antwerp, where he became a member of the Guild of St. Luke in 1620. Still Life with Fruit, Bread and Two Rummers 1644 Still Life 1624 Skull, Lamp, Book, and Pen 1628 Open book, Skull, Violin, and Oil Lamp 1629 Pieter Claesz. Vanitas Still Life, 1630 Pieter Claesz, Dutch Golden Age painter of still lifes. Download this artwork (provided by The Metropolitan Museum of Art). The vanitas image is a reminder of life’s brevity and the worthlessness of material objects. View in Augmented Reality. The table is cluttered with other items suggesting transience and the futility of human pursuits. The filled rummers gleam in the soft light. Pieter Claesz, Vanitas Stillleben, Im 17. As these paintings proliferated throughout the 17th century, artists used a great variety of objects to express the principles of vanitas. In this painting, Pieter Claesz, a German-born painter based in Haarlem, depicts human mortality with a skull and bone. He was the first artist who was able to depict everyday objects, like a rummer, a tin plate and a herring, in such a way that they radiated a magical beauty.
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